Sweet red...

This weekend, my wife and I broke out one of our new Xmas gifts, a nice little fondue set from my parents.

We had a few leftovers, and as such, the camera came out.



This was just a simple shot; macro lens, on-camera flash with an omnibounce diffuser.

Week 1. No, really!

Thar she blows, my picture for week #1, posted at the last possible minute. An illustrious start :)

My daughter is an avid collector of 'Littlest Pet Shop' toys, and some of them are nicely decorated with style of scrolling linework. They can actually be quite attractive, so I thought I'd put this little fishy to work in a splash picture. I figure when you need to get your creative juices flowing again, go with what you know and what you like, and I like splash shots :)

Taken with my 60mm Macro at f/6.3 with a three-light setup (left and right through the softbox walls, and background lit from above), triggered remotely. I had two other ideas that I shot today, and neither worked but I like this one. It's simple, but the colours are good and the focus is not bad.

The eye is slightly out of focus unfortunately, and it's exacerbated by the fact that the paint is a bit blotchy on the toy. Still, perfect focus when dropping a buoyant toy into water with razor-thin depth of field is going to be really hard to achieve. At least the fins and bubbles are all nice and sharp.

Band Promo Shots

After about two hours of shot selection, post processing and re-post processing, I've got a series of promo shots and headshots for my friend's band. I've shot them before but this was outdoor shots, and properly lit indoor work as opposed to the dive bar from last time.

The band members have changed up a bit too, so I was shooting some of them for the first time.

First, we did a quick series of headshots for promo use. I shot this with a three light setup: Key to camera high left, fill to camera low right and hair light subject high right and behind, all fired with pocket wizards. The key light was shooting through the Lumiquest SB3, the fill in a 43" shoot-through umbrella, and the hairlight was snooted with a Honl collapsable snoot.

All headshots were taken with the 70-200 at focal lengths around 130mm.

Lead singer - Jack


Lead guitar - JJ


Bass - Keith


Drums - Mitch


After, we headed out into the Winnipeg winter and shot some outdoor group shots. We hit the back roads and went looking for trucks, tractors, or wide open spaces.

Initially, we shot a bit on a nearby back road, but there was a bit of a lack of interest in the shots. One worked well enough to keep, but Mitch had stepped slightly forward in the frame. Not a huge deal, but noticeable and annoying in the shot to my eye:



A quick note on this shot and the following ones. I sharpened in post, cranked up the contrast and colour and then applied a very light texture from Totally Rad Actions called 'Dirt Bag'. This is a bluegrass band, and they wanted a rough look to the shots, and I found that this touch helped to capture the feel.

Our big break came when a friendly trucker gave us ten minutes or so to shoot with his rig while he was in a service station. We moved quickly, picked a few angles and started shooting:







My favourite shot of this session was taken down low, at a wide angle, with (to my eye) the best composition of the session. I'm quite fond of this one:



I just wish I had got that one boot all the way in frame! Gah!

Anyhow, thanks for reading, I'd love any opinions on these shots!

More Gym Kids

As Christmas draws closer things are getting busier but I've been getting the camera out regularly, and have been shooting whenever possible. Today I did some promo shots for a friend's band that I should be able to process and post tomorrow.

Tonight I managed to process some shots I took yesterday at my daughter's final Gym Kids session. I shot some earlier this year but this time I brought a flash to deal with some shutter speed and exposure issues.

Just more pics of my kids, but I thought I'd share them.







Thanks for reading :)

They grow up so fast!

Nothing technically or artistically interesting today, but tonight I shot a few pictures at my daughter's first Christmas, oops I mean 'Winter' Concert.

I didn't expect too much, as I was dealing with horrid lighting, a position too far away at a bad angle, a spotlight moving all over the place, harsh direct flash lighting, and a microphone stand that looks like it's coming out of her head in some shots. Still, I think she's cute :)







All shot at 200mm with the 7D, 70-200 f/2.8L IS locked in at 1/100th shutter, f/2.8 at ISO 400 with the flash in E-TTL mode a +1/3 stop. Can't complain!

Impish

My Daughter started kindergarten this year (and I've been sick every week since she started!) and her two new best friends both have short hair. Of course this means that she went in to the hairdresser and had a foot of hair lopped off this weekend.

I think she looks rather impish with the new cut:



Of course, the expression might have something to do with that.

I needed my fill light (camera left) a little higher as there is a bit too much shadow on that side of her face, but I like this shot a lot :) This was shot with the 70-200, a four light setup (primary, fill, background and hair) and processed in a vintage style. Fairly standard for my portrait stuff now.

On the business side of things, there *is* no business side of things at the moment. I'm okay with that, it's there if I need it, and all it costs me is $13 a month for hosting at the moment. I don't have as much time to devote to it as I'd like anyhow, so another year or two of practice won't hurt me.

Woof! Pt 2!

A while back I went to take a few quick shots of a friends' new Sheltie, Rascal. They have two Shelties and wanted some more pictures taken, and a pic of both together for submission to a fundraising calendar. Hopefully it gets selected :)

I shot with the 70-200 and a single flash on-camera, the 580EX II using a Sto-Fen Omnibounce to diffuse. The lighting is simple but for a fast moving critter, setting up lighting would be an exercise in futility. All in all they worked out well!

First, they wanted a similar shot to the once linked above of their other dog, Roxy:



Roxy wouldn't lay down, but the look is similar enough that the two would look cohesive if seen together.

Roxy was happier to pose on the couch, and gave me this shot:



The couch was also where I tried to get both together. This was by far the hardest shot to get since they were trying to play together and any noise made to draw their attention pulled them off the couch to investigate.

Still, I got one that was half-decent :)



Not direct eye contact, but at least they have their ears up and look interested. The point to learn here is that whoever is making the distracting noise should be *directly* behind the camera!

Pom!

Tonight, after two weeks of exhaustion, I got out my camera. Two weekends ago the bug the family had came back with a bit of a vengeance and we ended up at the ER with my little dude. He vomited for seven straight days before we finally shook the bug.

This last weekend was my daughter's fifth birthday, so we had a party with her kindergarten classmates, and one with our family. I took some pictures then as well, but those are just for us :)

So, the subject today was a case of bright red pomegranates that finally came back into stock at our local Costco. We are big pom fans in our house, so this was a joyous occasion.

The first shot is the cutoff stem, which tend to be full of these curled little fibers that remind me of the Sarlacc in Return of the Jedi :)



Second, I was just playing around with contrasting subjects, and my wife pointed out that our composter was full of little garden slugs. How could I resist giving one a chance to sample such an exotic treat?



I named him Sluggy Slug. Good boy, Sluggy Slug.

Mercurial...

Today, I combined my love of flower shots, water shots and inverted trickery. Day 188's shot:



In this shot, a blue background is placed behind my acrylic tank and lit with a speedlite off to the side, and a softbox is overhead of the tank. The flower if held down into the water, and air bubbles are blown up from below it. Invert the shot in post processing, and you get what looks like mercury drops on the flower.

I've seen this technique used before, and my shot is not up to to par of a lot of the other ones I've seen. My bubbles are too big, and I think my setup is a bit amateur compared to the others, but it was a fun shot to do!

I miss Carl Sagan...

Not much to say about day 187, but this is my take on the Pale Blue Dot.



This is the same paperweight used in this shot but lit more simply, and with (to my eye) a stronger composition. A blue gelled LP160 at 1/2 power through my SB3 softbox is above and to the right of the weight (a little to close thus the strong specular highlight) and a second gelled LP160 is shooting through the left side of the lightbox at 1/16th power, just to fill a bit but not blow out the shadow. Shot at ISO 100, 1/200th shutter, f/5.6.

A simple shot, but crisp, I like the colour and the composition works. I'm glad I got this shot, I was about ready to give up for the day before I reworked the entire light setup and reshot it. Perseverance!

One sharp lens...

Day 185's picture was made possible by a mishap with a glass, some hot water, and a cold sink.

First off, here is the picture:



How sharp is my EF-S 60mm Macro? THAT sharp.

The glass, when filled with hot water and placed on the cold sink split nearly perfectly up the middle. It was just too crazy a thing not to use in a shot somehow, and this is what I came up with. I was originally going to mock it up as a fake Canon advert, but I decided that co-opting the Canon logo for this might not exactly endear me to them. As it is I still think it's a fun shot.

In hindsight my lighting could have been a bit harsher on the background and it could have been a bit more even, but for three speedlights and a cardboard box with a sheet of glass from a picture from on it, I'll take it :)

Blue balls...

Today, another lesson has been learned. The lesson is:

If you liked your last crystal shot, and you bought some geodes at the Museum and thought that they would be interesting to shoot, don't bother. They will look like crap. Geodes are supposed to be hollow and colourful, but no, they will be solid and all white and boring. Damn.

So that explains yesterday's lack of photo.

Today, I decided to work with something similar with coloured glass. While I was shooting around and trying different compositions, I noticed something interesting when one of my flashes didn't fire. I stumbled into a neat effect, and it made today's shot:



Ah, suggestive post titles that really are only marginally related to the content of the post.

This effect was acheived with a flash laying flush on the paper with the glass balls. The light shining through them gives this cool like refraction pattern, and it reminds me of a natural gas burner. I took a bunch of these shots until I found one that looked just right, like little blue flames. Let's just say that this trick is more consistent at making little blue flames than my furnace is.

This took surprisingly little light, one LP160 at 1/64th power, and the 580EX II bounced off the ceiling for a little bit of fill and to trigger the slave on the LumoPro. That was enough light to shoot at f/9, 1/250th shutter and ISO 100. I suppose having the speedlite two or three inches away really helped as well!

Crystal Clear

I've been setting up this shot for three weeks, and decided to shoot it tonight. Day 174 is all about crystals!



I've been growing these from a kit for about three weeks now. They are horribly delicate so getting them into the lightbox was a challenge. Thank you to my wife and her delicate lady fingers!

These crystals are pretty much pure white, so I gelled up three lights for this, red to the left, blue to the right and green above, all diffused through the lightbox, all firing at 1/8th power. The camera was shooting at ISO 200, f/9, 1/200th shutter.

Not much else to add, not great photography but fun photography! Wheeeee!

Faking it...

So for day 170, I was trying a different technique, where you intentionally use the wrong white balance setting in post-processing.

First the shot, and then the explanation:



This is just a macro of a bamboo leaf with water drops, but the key is lighting and processing. The background is lit with two speedlites, with a red gel to camera left and a yellow gel to camera light. A third speedlite is on the camera with the Lumiquest SB3 softbox to light the leaf.

In post processing, you swap the white balance to 'fluorescent' which tones everything blue, and you get the tones you see here. The 'bluing' also makes the leaf and drops pop. I like it!

You could accomplish the same thing just by shooting with a standard white balance and toning the picture manually, but this gives you a sense of experimentation since you don't know exactly how it will turn out. When I started this 365, I *never* would have shot like this, I used to feel like you had to have everything figured out, and it had to look *right* somehow. Now, part of the fun is shooting something and seeing what happens later.

I don't think I have to tell you which style of shooting I'm preferring!

Green tea, too!

I had a shot in mind for a few days that I finally got to shoot tonight. Day 168 is a redux on my earlier 'Green Tea' shot.

Here is my new shot:



There is trickery in this shot too, but not digital. This is shot upside down, with the stream of 'tea' shooting upward into the cup. The cup pushes the stream out to the edge and that gives you the 'crown' of drops.

This needed a fair bit of light to clear the backdrop and freeze the action so there is a little more blowout in the drops than I would have liked, but the lead section of drops is nice and crisp, so I think the effect worked. This was list with two LP160s on the background (on high and one low) and the 580EX2 on-camera to light the front at about 1/16th power. This lighting allowed me to shoot at f/7.1, ISO 100 and 1/200th shutter.

Boy smash! Grar!

Well, it was a heck of a day. The first birthday party went off largely without a hitch but I'm exhausted. There will be a proper picture tomorrow, but a memory for the family today.



Boy smash cake! Grar!

Ugh...

Today's picture did not go well. I was trying a technique from a site, and it just didn't work. The best picture I managed on day 164 was a heavily cleaned up shot that I took to preset my manual focus for the actual shot.



Oh dear. Quite a letdown after yesterday's shot that I quite liked. Win some, lose some.

I have round two of engagement photos with the same couple tomorrow, so I'll take an off day today if it means I can be on my game tomorrow. I'm really preferring to shoot portrait right now anyhow, so I'm happy about it!

Stand out!

Day 163 and I was screwing around with glass and lights again. Being back home I could mess with all my toys again, so I had a bit of fun browsing around Flickr for inspiration. One shot that I really liked was this one which is just wine glasses and lighting.

The clever perspective really appealed to me, but I wanted a little more interest beyond the lighting. As such, I messed around with the elements of the shot and changed up the lighting.

Here is my shot for today:



There are a couple of keys to this shot, the biggest being a small aperture and a wide angle. This was shot at 17mm at the minimum possible distance so the focus was crisp across the whole shot and the perspective was exaggerated. I also let the background drape and throw shadow a bit since pure white tended to lose the details. I both like the hint of gray, but I admit that in some ways I dislike it since it comes across a bit 'dirty'. Perhaps shooting on just gray would have been a bit better. The raspberry was just for a hit of colour and interest, which I think the shot needed.

Lighting was an LP120 above at half power using the SB3 softbox, and an LP160 on either side at 1/8th power shooting through the sides of the lightbox. ISO 100, 1/250th shutter at f/16.

Is it a bird? Is it a plane? NO!

On day 160, I was enjoying the realization that I still don't have to go to work for three more days, but the running around and errands seem endless after a vacation.

So, I needed a quick shot but I specifically wanted to do something experimental. I've been thinking about using supplemental flash in daylight shots and this seemed like a nice day for it with blue skies and white clouds.

By the time I got my idea together, and my subjects ready and willing, a little gray had entered the white clouds, but I still like the shot:



It's Super Baby! I think every kid on the planet likes this game... This was shot in the shade at 1/125th, f/16 (sunny 16!) and ISO 100. The shot is done in shade, with the 580EX II on-camera at 1/2 power, using the LumiQuest SBIII softbox. The effect is what I was hoping for, with a properly exposed foreground and the sky a nice shade of blue with definition in the clouds.

What more can I say about this? I had an idea, and it worked the first try! The shot itself could use a little more artistic flair, but getting the technical elements right is a challenge and a thrill in itself.

I have some portrait time scheduled with friends who are getting married soon, and this is valuable experience for that shoot.

Lose a flower, gain a picture!

Day 155 of my Project 365. Friday. At long last.

When I got home, I discovered a nice bouquet of flowers on the kitchen table. Flowers that used to be growing in the backyard. How nice of my daughter to harvest them for us.

Oh well, got a picture out of it at least!



This is a Purple Aster, and fortunately there are several blooms left in the backyard. This wasn't the original pose that I had in mind, but she wouldn't sit still so a bunch of random shooting finally turned up one that was a keeper. I'm trying not to abuse the white background, so this was shot against the pink wall in her bedroom. Still bright, but there is a complementary tone to it.

This was shot with a key light to camera right, fired through a LumiQuest Softbox III which I have been waiting for on backorder for a little while now. It's small, but better than a bare flash and a bit more controllable as far as light spill than an umbrella. It's designed to be small enough to be used on-camera, and it fits nicely on the 580 on the 7D.

Fill light was from an LP160 to camera left, with a shoot through umbrella. ISO 100, 1/250th shutter at f/3.2. Both lights were firing at 1/8th power.